The TLM 67 (or 67) has been associated with inspired enthusiasm from professionals throughout the field of audio recording. Wie bereits beim TLM 49 erfolgreich geschehen, will der traditionsreiche Mikrofonhersteller Neumann auch mit dem TLM 67 den Sound einer Mikrofonlegende, in diesem Fall dem U67, mit den Vorzügen der aktuellen Technik dem Vorbild nach empfinden. He also likes thr KM184 just as much if not better than thr KM 84's which are noisier. TLM49 or TLM67? https://www.youtube.com/watch?v=1deP6lY7OXk&t=41s, Neumann TLM 107 - a new Neumann mic. I tested both when they came out, and even wrote a review of the TLM49 for EQ. Much better sounding mics now. Plugging a TLM49 into an ART mic pre is akin to putting a Bugatti Veyron motor in a dump truck. I cant say the reason but my guess is that if Neumann says the 49 was an attempt at getting a tube sound from a fet, maybe the preamp with its tubes just reinforces that? There’s less proximity effect than I expected in either the cardioid or figure of eight pattern. Sure. Just a friendly reminder that political discussion, (including "offhand" and 'sideways' commenting) is. Once you try the packing blankets hanging around the room play with the different gain settings on the mic pre to get different colors. Hey there friends due to the lockdown measures its become impossible to demo mics so I'm relying on your expertise if possible. Click here to login, The ability to reply to and create new discussions, Access to members-only giveaways & competitions, Interact with VIP industry experts in our guest Q&As, Access to members-only sub forum discussions, Get INSTANT ACCESS to the world's best private pro audio, Promote your eBay auctions and Reverb.com listings for free. The later TLM models have more miniaturized electronics, IC's and stuff and they just don't sound right to my ears. Finally also maybe slightly angle that mic just a smidge away from the sound source to see if that makes any difference to the resulting sound. Unfortunately, a vocal booth can very easily exaggerate the "boxiness" of a mic. How do you think, tlm 67 is better for male vocals? My voice is somewhat deep and flat with next to no sibilance. TLM-107 top end is significantly smoother than that on the TLM-193. Put the new Bock Soundelux U195, on your shortlist. The TLM 67 is smoother than the TLM 49 I reviewed a few years ago. Yeah, it may make it go, but if you really want it to go and do what it was designed to do, you need to give it the proper chassis to do it with! I had a long discussion with a former BBC Engineer about the new TLM mics. But those have a smaller capsule that sounds boring to some. Spend a few dollars on some packing blankets and hang them around your recording space. Tlm 170 (8 mV/Pa) and Tlm 193 (18 mV/Pa). For now i'll be searching more info about ua-610 mk2 and Great River pre. Das U67 war in den 60er Jahren, also einer Zeit, in der alle Kondensatormikrofone in Röhrentechnik gebaut wurden, weil es […] The real warmth I get I think might come from the tubes in the pre combined with the Neumann capsule. I heard the 107 is and 193 are great, just not popular. The microphone has a frequency range of 20Hz to 20kHz, features cardioid, omni and figure-of-eight polar patterns, and offers a 10dB pad and a low-cut filter. The microphone has a frequency range of 20Hz to 20kHz, features cardioid, omni and figure-of-eight polar patterns, and offers a 10dB pad and a low-cut filter. Who knows, maybe your harshness might be coming from there? Couldn't be more impressed with my 49, so I'd agree with those pointing to the preamp. Edgy Harsh around 2k and boxy around 180hz is killing me :( Using this mic with Art voice channel. I summarized my findings as follows: Thanks for the response. Hmmmmmm. Edgy Harsh around 2k and boxy around 180hz is killing me :( Using this mic with Art voice channel. If you focus on a few variables like that, perhaps you can isolate what works, what does not so that when you do go look at preamps etc you at least will know whether the mic itself is a good tool for you. There’s less proximity effect than I expected in either the cardioid or figure-of-eight pattern. Just a friendly reminder that political discussion, (including "offhand" and 'sideways' commenting) is. The TLM 67 uses an electronic circuit instead of an output transformer - the TLM bit stands for Transformer-Less Microphone - and it's the same shape and size as the well-known U87. They're always fine selections. I agree that upgrading your pre with one that has a bit of musicality/tone/depth is probably a good way to go. should i sell tlm 49 and get tlm 67? Or wait, and buy La-610 ? salut Seldone, sisi le tlm 193 me va très bien, mais je voulais avoir la possibilité de proposer un plus large choix de micro a ma clientèle. thank's guys for support and motivation! It's a preamp plus compressor plus equalizer, under $400. 16 avis d'utilisateurs. It might not be professional but it works for me. Hey there! Hey there friends due to the lockdown measures its become impossible to demo mics so I'm relying on your expertise if possible. It's not exaggerated, but it's there and you're gonna need a good shockmount. I worked roughly 200 sessions a year on a 49 for about 6 years. Not a huge "fan" of either. Same capsule, both solid state mics. i have tlm 49 for vocals, and little bit a disappointed. Calling the TLM49 boxy makes me think you have a room issue first. I've had extensive use of the TLM49... but for for VO sessions. Back in '10 or so I bought one to be able to match revision tracks from my home studio to the mic that was used at a downtown studio where I used to do a lot of work.
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