Courtesy: the artist, Untitled Page from Collage Book #6 (This is the Day), 2011–20 Here Jean Baudrillard and the Italian Autonomists weren’t distant towers of philosophy but humans who felt like part of some eccentric extended family, which somehow I was able to slink my way into as the most junior of cousins. Hesse Press published A Place in the Sun, a monograph of his writing and collages in 2017. Here Nina Simone presides over Oz, Dennis Cooper and Arthur Rimbaud smile over a threesome, William S. Burroughs fingers a pistol above River Phoenix while Divine sneers at Cahiers du cinéma, and a Tom of Finland hunk gets eyeballed by Gilbert and George. To this day, I do not know what intuition brought me, a feverishly naive twenty-two-year-old, to introduce myself and ask for a light or some other innocuous form of icebreaking. Born in Rabat, in 1967, Hedi El Kholti moved to Los Angeles in 1992, and worked in the film industry for five years before attending the ArtCenter College of Design in Pasadena (BA 2000). We use cookies to ensure that we give you the best experience on our website. His presence is so self-effacing and modest that if you weren’t keenly looking for such a wondrous being, you might just miss him. The only thing that meshes with what I am experiencing now. With a soft, deep, and sometimes hesitant French accent, he’d evoke a world of performers and intellectuals, mad queer luminaries and darkling revolutionaries, all awash in the electric pleasure of their work, always spiked with mourning for the too-many humans and moments lost in the gush of tragedy and time. Hedi El Kholti is a cultural presenter who has worked with Tony Duvert, Abdellah Taïa, Gary Lee Boas, Grisiledis Real, Holy Shit and other intellectual luminaries. Identities / Hedi El Kholti. I’ve only ever been to a few of these gatherings, but there’s a sweet and dirty magic to Paul (who also coedited the first issue of Animal Shelter) and the spaces he makes for others with an emphasis on inclusion and play, a kind of low-stakes creativity for the artists, musicians, and various friends and weirdos Paul gathers. He is co-editor of Semiotext(e) alongside Chris Kraus and Sylvère Lotringer. Animal Shelter Issue 4 Edited by Hedi El Kholti A suture is made, fragile, that last only a few minutes.”3. A suture is made. Hedi El Kholti is a writer, editor and artist based in Los Angeles. Alongside curating exhibitions with Gary Lee Boas at kamel mennour in Paris and Jeffrey Deitch in New York, he began to make books, including Gary Lee Boas’s Starstruck: Photographs from a Fan (Los Angeles: Dilettante Press, 2000), Ernie Wolfe’s Extreme Canvas: Hand-Painted Movie Posters from Ghana (Los Angeles: Dilettante Press, 2001), and Brendan Mullen, Don Bolles, Adam Parfrey’s Lexicon Devil: The Fast Times and Short Life of Darby Crash and the Germs (Port Townsend, WA: Feral House, 2002). [3], "Hedi El Kholti, Simone Forti & Tashi Wada - Sept 21 | SASSAS", "Semiotext(e) at the Biennial: An Interview with Hedi El Kholti", https://en.wikipedia.org/w/index.php?title=Hedi_El_Kholti&oldid=860954846, Creative Commons Attribution-ShareAlike License, This page was last edited on 24 September 2018, at 05:29. In March 2005, I spotted Hedi smoking a cigarette outside the Antony and the Johnsons / CocoRosie show at the Barnsdall Gallery Theatre in Los Angeles. Hedi El Kholti cocurated the exhibition of the fan-photographer Gary Lee Boas’ work at Deitch Projects, New York, in 2000 and The Photographers’ Gallery, London, in 2001. That film series, like much of Hedi’s work, never purported to be any kind of academic scholarship, but was distinctly intimate, an exquisite appreciation, entrenched in European film but unbeholden to its canon. Crowded phantasms of impossible parties, singular figures in lonesome landscapes, police and other monsters making an occult passage into poetry and orgies. I don’t remember what I said, but afterward, we became friendly, and, later, friends. Hedi El Kholti is on Facebook. Identities Podcasts. [1] http://www.thislongcentury.com/hedi-el-kholti?c=179. Edited by Hedi El Kholti, Lauren Mackler. Through his many projects—including coediting the iconic underground press Semiotext(e), and lately his collages on view at the Hammer Museum, Los Angeles—Hedi creates stages, both literally for others as an advocate and publisher, but also more dreamily in layered phantasmic scenes scissored from avant-garde film, hazy porn, and fanzines of subterranean idols and pop stars, collating them together into pictures animated with love, lost and found. Courtesy: the artist. For all us three-legged kittens and orphaned flaming creatures there was a home, and Hedi had made it. In March 2005, I spotted Hedi smoking a cigarette outside the Antony and the Johnsons / CocoRosie show at the Barnsdall Gallery Theatre in Los Angeles. His essays appeared in scattered places, but always with a striking clarity: for instance a passage mixing love and music and political dread for the evolving online project of personal insights from artists of all kinds titled This Long Century,1 or occasional pieces in the art magazine frieze, including a wondrous essay on homes he’s loved by artists circling Chantal Akerman’s No Home Movie (2015).2 He wrote with a deeply personal and understated but potent intellectual force, along with a real devotion to those artists, musicians, writers, and performers. Hedi El Kholti salary income and net worth data provided by People Ai provides an estimation for any internet celebrity's real salary income and net worth like Hedi El Kholti based on real numbers. [2] Hedi El Kholti, “Fan Letter,” in frieze, January 8, 2019, https://www.frieze.com/article/hedi-el-kholti-chantal-akerman-and-homes-loved-and-lost. Pieces of the past salvaged as if brought back from an alternate history into the present. Like remembering the record that saved your life or the first dirty magazine that turned you on, and the hurt and confusion that led you to both. In those moments with Hedi—against the holler and traffic along Wilshire pouring into the office through an open window, or in the twilight of his bungalow in Highland Park—I also learned the broad outline of his story. Called Animal Shelter, it has featured contributions by Tisa Bryant and Pierre Guyotat, Ariana Reines and Abdellah Taïa, CAConrad and Alice Notley, Moyra Davey and Dodie Bellamy, and so many other underground heroes, both local and international, unknown and celebrated. Hedi would walk me down the narrow hallway to the door at the press’ little office in a run-down tower overlooking the hard thrum and soft grime of Los Angeles’ MacArthur Park. Facebook gives people the power to share and makes the world more open and connected. Join Facebook to connect with Hedi El Kholti and others you may know. Dark hair swooping over his sad eyes, a cigarette dangling from his mouth, self-deprecating and melancholic about all that’s been lost, all the struggles he’d witnessed, but still vital and enthusiastic with a battered hope and warming sincerity. The Missing Pieces: Amazon.ca: Henri Lefebvre, Hedi El Kholti, David L. Sweet: Books. They manifest a world that I imagine is always haunting Hedi: sometimes slyly pointed with specific coded references, often populated with a smattering of cinema scenes, pop culture, and underground idols, photos of musicians and writers, book covers, and soft porn. All these things he did with a quiet and modest grace, often pushing the work of others forward, whether it be the press or the authors and artists he wished to champion. Books . Semiotext (e) is pleased to announce issue 3 of its occasional intellectual journal Animal Shelter, founded and edited by Hedi El Kholti. From A Place in the Sun, his book of collages and texts published in 2017: “Scraps of melodies from my youth reconfigured, remixed, or reincarnated in cover versions. Hedi El Kholti: Se7en. And right when it was most needed, he would stitch in a line of aching poetry. He is co-editor of Semiotext (e) alongside Chris Kraus and Sylvère Lotringer and currently edits Semiotext (e)’s ‘occasional intellectual journal’ Animal Shelter. Accompanied by El Kholti’s original texts, these works have previously circulated in limited-edition, print-only ‘zine form. He has been a coeditor of Semiotext(e) since 2004, and created the publication Animal Shelter, an occasional journal of art, sex and literature. Hedi El Kholti is known for her work on Se7en (1995), Wag the Dog (1997) and Amboy (2015). In his diverse and astonishing output, Hedi both manifests an alternative world and is a deep fan who never forgets. Equally connected to Los Angeles’s art galleries and underground music scenes, but without ever getting lost in either’s self-regard or indulgent excesses.
2020 hedi el kholti